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On the use of g6 in the Italian, you might also see Pinski's book on the Italian and Evans, which is very encouraging. I have Pinski two knights and four knights books In my opinion he is not totally objective in his assessments showing a clear preference for black in both books. Anyway, perhaps if I see it the bargain bin. In one of the recent BCM there is an article on Aronian's games in the variation you mention Cozio right?

Sokolov is a bit more pessimistic about that variation. Flear in Offbeat Ruy Lopez opines that both variations are closely linked. Personaly I prefer developping the knight to Nf6. I have since posted a Smith-Morra Update that includes more material. And I have an additional update, which includes a Review of Mayhem in the Morra. Post a Comment. A frequently updated blog for the Kenilworth Chess Club. To get us thinking about his lecture, I have prepared a bibliography to whet your appetite, with a number of recent and forthcoming works of interest in both the Smith-Morra Accepted and Smith-Morra Declined or Alapin.

Everything is listed in reverse chronology, as best I can offer difficult with web sources , with links to preview, purchase or download items available via the internet. I have generally left off all but the most influential Black repertoire books that offer only a game or chapter on the gambit, as well as opening encyclopedias which may only mention it in a line or two of analysis.

As always, I welcome reader corrections and additions. And I will be adding some more materials myself especially videos over the next couple of days. I would like to give special thanks to Michel Barbaut, who shared a wonderful bibliography with me and a very rare picture of Pierre Morra that appeared with an article in a French magazine. Just released, this book seems similar in design to Nigel Davies's Gambiteer which, surprisingly, did not feature the Smith-Morra but instead the Wing Gambit against the Sicilian.

Alterman did some great videos for ICC, and his breezy style seems to translate well to print based on the excerpt available online and other materials at his blog. The book is clearly pitched to low-rated amateurs or beginning players, with move-by-move explanations but not necessarily very complete or deep analysis.

Red meat for the mad dog. See also his collections on the Smith-Morra Gambit with Mark Ginsburg, Defending the Smith-Morra IM Ginsburg regularly turns up his nose at gambits and this article written in apparent anger at only drawing IM Mark Esserman in the line is no exception. His recommendations are similar to Tim Taylor's see below , and both seem inspired by Smith - Evans, San Antonio Also available in html format. Boris Alterman, Chess Lessons Blog: Morra Gambit Several blog entries directed at beginners and amateurs -- and likely the basis for his recent book.

Part 1 is available free of charge, but Parts 2 and 3 require membership to ICC to login and view.

The Modern Morra Gambit: A Dynamic Weapon against the Sicilian

Palliser offers two antidotes to the Morra: the first, playing Nc6, d6 and a6, heading for a game like Smith - Evans, San Antonio as recommended by Tim Taylor ; the second, to play e6, a6, b5, and Bb7 followed by d6, Be7, Nbd7, Ngf6 etc. I think it is very objective and also very well presented. It also tries to explain alternatives and not simply focus on the recommended lines. Reviews by Jeremy Silma n, John Donaldson , Carsten Hansen and John Watson among others universally offer praise for Langrock's "labor of love" even if they disparage the opening itself.

Ne7 Part Two. It is really a ground-breaking piece of chess writing which manages to both instruct and entertain, while it also offers a rather convincing defense of playing gambits to develop tactical awareness. Not bad.

Sicilian Defence, Smith–Morra Gambit, Siberian Trap | Revolvy

A useful collection of amateur games below that show many ways Black can go wrong. Born, Morra Gambit www. Has a chapter on the Smith-Morra. Andrew Martin, Morra Gambit Accepted. A useful introduction to the Smith-Morra for those looking to get started playing it quickly.

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Peter Doggers, "A Refutation Refuted. A pamphlet with some good ideas but poorly presented for usability, with much more prose than analysis. Reader information welcome. This was the last great book on the Smith-Morra that revived interest in the line, but it would be over a dozen years before anyone would offer a better book from the White perspective.

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This book also offers a White repertoire for when Black declines the gambit. Widely available for free download. The main advantage of the Smith-Morra Gambit is that while Black can transpose to lines of the standard c3 Sicilian, the defender's choices are more limited because the pawn capture cxd4 has already been played. Evgeny Sveshnikov, The Complete c3 Sicilian New in Chess, expected September This is an exciting development: a book on the c3 Sicilian by its greatest theoretician. Nf3 e6 6.

Improve your Chess - Games with commentary # 6 - Morra Gambit against Sicilian Defense

This was Rogozenko's advice in his book on the Anti-Sicilians. There is a new book out by Everyman Chess, which advocates going right into the main line Morra by accepting the pawn sac, but Black will play It's a really good blitz opening. If you know your way around it, I imagine you can impose tremendous complications on your opponent. Still, mb is basically right - theory offers plenty of answers that are more than satisfactory for Black.

That doesn't usually matter in club blitz or is trumped by psychological elements , but around here you will face the toughest database lines with too much regularity IMO. It is a great opening for fast play. I also don't really recommend it for long time controls or high rated opponents though. The Morra Gambit I used to play it with some success but black has many ways to refute it, I don't play it any more. The Morra Gambit does not work becasue it is easy for White to transform to the standard Scillian. Id like to see how this opening works well in a game.

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I have tried this opening a few times in quick play at my local chess club. The results have been quite good, even if I don't know the theory beyond the 4th move. Esserman makes an impassioned appeal for these virtues, in prose that verges on the rhetoric of a zealot, but supporting his argument with a substantial offering of games and positions which show the potential for his beloved Morra, both tactically and positionally. I must confess that this is often the moment in my chess praxis when my heart thumps most — will my opponent accept the sacrifice in the spirit of the Romantics, or will he shun the most honorable path and meekly decline?

Sometimes I wait for the critical decision for many minutes as my grandmaster foe flashes me an incredulous, bordering on insulted, look. Other times, I receive the answer almost instantaneously. Yet every time I am greeted with 3 …dc, I could not be happier. My knight freely flows to c3, the Morra accepted appears, and we travel back in time to the 19th century. The style of Morphy, Anderssen, and Blackburne, with the improvements required by the refinement of defensive technique, leads Mr.

Esserman deep into examples from his own play, and the play of similarly talented and titled players. Each variation leads into increasingly complex and subtle means for the gambiteer to find an advantage against the varied schemes that black has tried over the decades. The quotes are entertaining, and well suited to the material, but must make any thought of translating his book from English to other languages a nightmare for any editor.

For the American reader, the quotes are fairly relevant, and an amusing alternative to the usual dry commentary found in other opening and repertoire works. I will further admit that I have altered my entire opening repertoire to be as dynamic and volatile as Esserman has suggested by using the Morra. There is an intense liberation from the staid positional stylings of modern chess which make the return to romanticism deeply appealing. Chess is a game.

It is supposed to be fun. I strongly recommend giving an immersion into combinational play, where active piece play supplants cautious pawn structures and strategic plodding throughout the game. In particular, any youthful player would be well served to include tactically rich openings as their early repertoire, to build a base of combinative knowledge as a foundation for their future play. The recognition of tactical possibilities, both for yourself, and by your opponent, is a requirement for success. Esserman covers the responses to the Morra accepted with great skill and depth, offering the reader a wide array of novelties and options with which to strive for an advantage.

I choose this example to show how sexy the Morra can be, how much fun it is to play. Finding out that sex is fun sounds good, but we need a second book to help us raise the kids. Published by Russell Enterprises, The Modern Morra Gambit: a dynamic weapon against the Sicilian , by Hannes Langrock, now in its 2nd edition, bringing many of the recent novelties forward for careful examination.