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Two soon-to-be-released works, I believe, demonstrate the prominence of my unconscious mind in the creative process: a novelette, Figures in Blue , to be released in November digitally by Battered Suitcase Press and in print by Twelve Winters Press ; and a novel, An Untimely Fro st, to be released in January by Twelve Winters Press. Simon Evans Prize for distinguished scholarship.


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Skip to main content. I was previously unaware of trauma theory, but Morrissey argues convincingly that this branch of postmodern theory shines new light on several murky aspects of the poem, on what some readers call its disjointedness and downright weirdness. Beowulf enacts on both a formal and verbal level the effects of trauma on a people and on a gifted poet subjected to centuries of warfare, sickness, and disorder, resulting in a poem closer to nightmare than elegy. Morrissey shows how other postmodern strategies illuminate the poem, and respectfully suggests these new approaches can supplement, not supplant, the more traditional philological approaches.

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Those earlier approaches have for too long treated Beowulf as a period piece, but these new approaches give the lay a startling relevance in the 21st century: I am writing this at the end of , after the quick succession of Hurricane Sandy, the slaughter of children in Newtown, Connecticut, and fears of going off a fiscal cliff have somewhat traumatized Americans—who are not as bad off as the Anglo-Saxons of the Dark Ages, to be sure, but are now in the appropriate mood to appreciate the traumatized world of Beowulf.

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