Leonardo da Vinci invented this musical instrument – and it sounds remarkable
Michael Talbot ed. Liverpool University Press Like literature and art, music has "works". But not every piece of music is called a work, and not every musical performance is made up of works. The complexities of this situation are explored in these essays, which examine a broad swathe of western music. From plainsong to the symphony, from Duke Ellington to the Beatles, this is at root an investigation into how our minds parcel up the music that we create and hear.
Philosophy of Music in Aesthetics. Edit this record.
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Together, they form a good spread of opinion, but it was Liverpool University that was ideally placed to convene the event because it has not only a Department of Music but also -- and quite discretely -- an Institute of Popular Music. Michael Talbot, the editor, assures us that the two readily co-operate 'especially in undergraduate teaching' but somewhat ruefully admits that they 'don't have much occasion for direct contact in the scholarly arena'. In some respects then this book represents deliberate exercises in bridge building.
The Musical Work: Reality or Invention? - oi
That much is explicit. What is implicit, however, and what makes the book perhaps provocatively interesting is the unspoken context.
Edited by Michael Talbot. Like it or not and I suspect that most of the contributors would not , this is a dispatch from The Culture Wars.
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